Stained Glass - Ke Bo Isac Tsai

Instead of being a vertical element, stained glass becomes in this intervention, a horizontal, tilted, curving, bulging surface slicing the nave and the chancel of Hungate.

K.B. Izac’s work is a provocation at an architectural scale, challenging the perception of what was once a sacred space. The intervention is light, floating and mirroring as much space as possible. Meanwhile, light in all different spectrums of colours animates Hungate.

The intervention makes space both reflective and transparent by reintroducing light and colour by mirroring the existing surfaces.

The Colour in Me - Shu-Yi Chou

The Colour in Me is a dance performance that responds to K.B. Izac Tsai’s spatial intervention.

K.B. Izac Tsai has invited one of the most renowned choreographers in the Far East, Shu-Yi Chou, to activate the space of Hungate.

The Colour in Me enhances the fluidity of space and introduces discursive elements of body politics within the mirrored, coloured, and distorted Hungate.

Shu-Yi’s choreographic performance portrays a condition where the history of the sacred space has cut through time and humanity, suturing the body as it moves within the space.

The human body awaits the light, invading shattered pieces of time.