Pilot Case Study - St Peter Hungate Norwich, 2024

Innovative multimedia interventions for evolving sacred heritage spaces.

Why

The 15th-century St Peter Hungate was the first Church of England building to be handed over to secular use as a museum of ecclesiastical art in 1933, with temporary exhibitions before amassing its permanent collection of religious objects. The museum was closed in the 1990s; since 2009, Hungate Medieval Art has researched and showcased medieval material culture, alongside featuring contemporary art exhibitions that contribute to the overall appreciation of medieval art.

Theoretical framework

The project mobilises the philosophical notion of matter-flow (Deleuze and Guattari, 1987) to answer a fundamental question: when medieval church architecture is redundant but preserved (listed-matter) and introduced back into the community, how can it be followed creatively?

Invertlight follows listed medieval matter (historical and material Gothic stained glass, liturgical artefacts, candlelit aesthetics, medieval imagery, and symbolism) and the functional change of the recent past (curated religious objects and contemporary art) to reveal the medieval heritage matter-flow as ‘living heritage.’

Methodology

Invertlight approaches the heritage condition of the space as something to work in, with and together. The space-light interventions are produced collaboratively between interdisciplinary creatives within the flux and flow of heritage that has been previously archaeologically and creatively explored since 2009. The curation entangles new matters of use in a tryptic format.

A performative tryptic

This pilot project re-presents Hungate’s past (Medieval in-visions), recent past (Museo in-visions) and future (Heritage In-vision) respectively. The live performances delivered in each stage (two immersive sound-video projections and one choreographic) establish unique disruptions in the continuous variation of the heritage-matter. The general aim of the live performances is to transfigure the architectural setting of St Peter Hungate into an everchanging light-form, colour-sound, movement-reflection matter-flow.

Responding to the medieval materiality, as well as the medieval culture, local and continental with light-space and audiovisual interventions.

Engageing with the recent past of St Peter Hungate as a museum of Ecclesiastical Art and celebrates the innovative approach to the church's space for the first time in England.

Speculating about the future of heritage settings when they become fully performative and integrated into the life of communities they serve.

Acknowledgements

Invertlight has been supported financially by Norwich University of the Arts (Programmes Research Fund), Hungate Medieval Art, KBITA and THE EMBASSY BÜRÓ.

Special thanks to: Prof Teresa Stoppani Programme Director Architecture and Interior Design, Dr Ellie Nixon, Programme Director Film and Performing Arts, and Mark Wickham, Programme Director Computer Arts and Technology, Games Art and Design.

Technicians: James Burkill, James Castle, William McMorris, Erdam Ergin.

BA Architecture and Interior Design+ MArch Students: Asya Milenko, Megi Muslia, Jamie Chaplin, Henry Kena, Izabela Wesolowska, Tom Whitemore, Omar West, Asmita Chakraborty, Theo Galvin.

University staff: Patrick McGrad, John Driscoll, Ben Salter.